My name is Tracy Auerbach, and I’m a STEM (science,
technology, engineering, and math) coach and curriculum writer. I’ve been
working for the New York City public school system for eleven years, but before
that I was in film and television production for a few years. I have a husband,
and two sons, six and eight years old. I love reading with them and discussing
television, books, and movies.
What
is your “how I got my agent” story?
I had published an ebook with an indie publisher in 2011
and it was released in print in 2014. I figured it couldn’t be too hard to land
an agent after that. Yikes, was I wrong! I completed a novel which I thought
was a true work of art, and sent out 150 queries over the course of six months.
I only received one request for a full and it was eventually a pass. I was
devastated. But I picked myself up and completely restructured my story. I took
time to hone my craft. I also hooked up with some awesome beta readers and
learned to take suggestions.
Cautiously optimistic, I sent out
50 queries. Right away, I received a few rejections that weren’t form letters. Agents
gave me feedback! I celebrated. The agents specifically told me they liked the
story and the writing, but didn’t feel they were a good fit. I ended up with
six requests, but I ultimately loved the first agent I interviewed with. I just
felt that we ‘clicked’ so I signed with him.
What
novel landed you your agent?
The novel that landed me my agent (Evan Marshall of the
Evan Marshall Agency), is a young adult science fiction novel. THE SIN SOLDIERS
is its working title.
Tell
us about the much anticipated and nerve-wracking “Call” with your now agent.
Evan scheduled a call with me to
discuss my book, my writing style, and some of my goals. I so wanted to impress him, and I was super nervous. But he came
across as extremely personable, smart, savvy, and a huge fan of my writing…
which is why I ended up signing with him.
You
have also published through a publisher, only. Can you tell us a little bit
about that experience?
I published my new adult urban fantasy novel with
an independent publisher called 48fourteen. It’s called THE HUMAN CURE, and
it’s a new twist on the vampire mythology out there. I wanted to keep my
vampires gritty, bloody, and original. No sparkles, but plenty of gore. I have
Juanita Samborski, who acquires titles for 48fourteen, to thank for my first
big break, and a lot of what I’ve learned about the industry.
In
your opinion, what are the pros and cons of having an agent/publishing through
a publisher solo?
Through my experience with an indie publisher, I learned
so much about the industry; how to self-promote, how important relationships
with bloggers and reviewers can be… just so much invaluable knowledge. But it’s
a lot of maintenance and my sales were never amazing. It’s hard to get noticed when
there are so many talented authors out there with more time or money to pool
into publicity. My agent has a ton of established relationships with bigger
name publishers, and there’s a higher potential for visibility if I publish
through a larger imprint.
What
is the hardest part about being on submission?
The waiting and the rejections. It’s completely
devastating to have come so far and gotten an agent, and then enter into
another round of rejections. But it only takes one ‘yes,’ so I remain hopeful.
How
do you cope with waiting to hear back from publishers?
I write! I already have another novel out with beta
readers, and I’m working on a brand-new story as well. If I didn’t love writing
for the sake of writing, I don’t think I could have dealt with so many
rejections and still stayed afloat. Even the early versions of my books that
need a ton of work are fun to write, so I never feel like I’m wasting my time.
Do
you have any tips for writers who are trying to decide whether to go the publisher
or agent route?
I think it all depends on how
savvy they are with social media, and how much work they’re willing to put into
selling their books. A lot of bigger publishing houses don’t take un-agented
submissions, so the onus falls on the author to publish smaller and make a name
for him or herself.
Finally,
how will you celebrate when you eventually get your book deal?
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